Louise Bourgeois: The Return of the RepressedLouise Bourgeois (19112010) invented a new kind of language for sculpture a language that was essentially psychoanalytic, uniquely capable of expressing oedipal struggle, ominous forces of repression, sexual symbolism and material uncanniness. Famed for some of the twentieth centurys most enduring works, such as The Destruction of the Father (1974), Arch of Hysteria (1993) and Maman (1999), Bourgeois also disseminated her influence through her